Don't we all look back on a certain period and gain certain insights? I guess that's what Tori is doing at the moment. Looking back at the period of the Beekeeper (Scarlet's Walk was a comeback to form imho) and asking herself why she collected these songs together? We try to find a reason for things and that's always found within our own frame of mind. I guess that Tori really believes in this.blue wrote:I'm not sure I buy it, you know. I think she's rationalising her decision to try to go mainstream pop on The Beekeeper because she now recognises it was a ghastly mistake.![]()
And I guess it's also a way of developing: doing things "wrong" and kinda regretting things later on. This will prevent her from making this mistake again.
I guess that the Beekeeper is the opposite of Boys for Pele. On the first she remained too radiofriendly and therefor the music lost the soul that Tori's music always had. The latter was too experimental for it's own good. Both albums contain some beautiful songs but they failed to grab the audience in the album as a total. (this is not fluent English but I can't find the right words for this...
We'll see what she's up to. It will take a whole lot of Beekeeper-alike albums before I would stop checking out the new stuff she puts out.blue wrote:Still, good to know she's trying not to limit herself this time. Her creativity is like a river, a natural force, always moving and tumbling and overflowing its banks.